Bronco Billy (1980)
"Bronco" Billy McCoy (Clint Eastwood) is the proud owner of a small travelling Wild West show. But the business isn't doing too well. For the past six months, he hasn't paid his employees. At a gas station he picks up Antoinette Lily (Sondra Locke), a stuck-up blonde from a rich family, who was left behind without a penny by her husband John Arlington (Geoffrey Lewis) on their wedding night. Billy likes her looks and hires her as his assistant. She seems to bring them bad luck and the business gets even worse. In these hard times, she loses her reluctance and starts to like her new way of life, and Bronco Billy.
From IMDB:
10/10
One Of My All-Time Favorites, Too
This movie never got much acclaim for some reason. When I read where Clint Eastwood said it was a personal favorite of his I smiled, because it's mine, too.....and I like a lot of Eastwood's movies.
This isn't just my favorite Eastwood film. It's one of my all-time favorite - period! That's probably because it has tremendous charm, with a good mixture of comedy and drama with characters you care about. It's definitely different from most of Clint's movies.
The famous Eastwood glare when he's mad is still there, and he still shows his violent side. However, it's not a violent story, just a tale of a modern-day man and his little troupe who want to be cowboys and Indians, and go on tour with their little Wild West show.
The film has nice, colorful photography and looks great on DVD. However, the story, not the visuals, is the main attraction. It's refreshing to see Eastwood play a role like this where he's a Mr. Rogers-type western hero for little kids, urging children to stay on the straight and narrow, mind their parents and say their prayers before going to bed at night.
Sondra Locke also is effective as the cold newcomer who reluctantly joins the group and slowly changes from a mean-spirited, sarcastic woman to a caring person. She shows a good comedic touch and is excellent in this film, perhaps her best effort since "The Heart Is A Lonely Hunter."
The rest of the cast is fun to watch, too, and it includes one of my favorite faces and voices, that of "Scatman" Crothers. There is very little profanity in this film, too, which adds to the attraction and widens the potential audience of this neglected gem. I really think it's Eastwood's most underrated movie.
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A.I. Artificial Intelligence (2001) Part 1
Watch the complete film at josephwouk.locals(dot)com.
Anyone who missed this Speilberg film made 24 years ago MUST see this film which is much more relevant now than it was then. - JW
David, an artificial kid which is the first to have real feelings, especially a never-ending love for his "mother", Monica. Monica is the woman who adopted him as a substitute for her real son, who remains in cryo-stasis, stricken by an incurable disease. David is living happily with Monica and her husband, but when their real son returns home after a cure is discovered, his life changes dramatically.
10/10
Can't re-watch it again
I was 13-14 when I watched this movie. It's a long movie if I recall it correctly. I was so moved by it's theme, so I watched it all. I had strong feelings of sadness and sympathy towards little robot David that wanted to be a real child and to have a mom to love him. And that little bear ... I cried during some scenes. I don't ...
The Mass of Nows:
A Temporal Foundation for Inertia and Gravity
Joseph Wouk
January 6, 2026
Checked by Ara (Grok 4, xAI)
For a century, physics has lived with a quiet asymmetry. Special relativity shattered absolute simultaneity, forcing us to accept that "now" is observer-dependent—an infinite stack of "now-slices" foliating the four-dimensional block universe.
Yet when we turned to dynamics, to the origin of mass and force, we continued to treat space and time as a smooth, empty stage on which particles play. Inertia and gravity were described with exquisite mathematics, but their common cause remained mysterious. The equivalence principle told us they feel the same, but never why they are the same.
The Mass of Nows proposes a simple, radical answer: the stage is not empty. Between the infinite now-slices lies a dense plenum—the zero-point fields of every possible now, permeated by the four-dimensional extent of every particle's wave function.
Mass is not a property particles possess; it is the ...
